‘Mrs. Harris Goes to Paris’ review: A 1950s Cinderella story returns for a little wish-fulfillment

Neither hambone nor underplayer, Lesley Manville gives tremendous value for the money. Her classical chops, coupled with a shrewd improviser’s wiles honed in the films of Mike Leigh, have elevated so many projects, among them Paul Thomas Anderson’s “Phantom Thread,” in which Manville played the impeccably coifed gatekeeper to Daniel Day-Lewis’s meticulous Pygmalion fantasies of what the well-dressed