House music had its Black roots ripped up – now Drake and Beyoncé are reclaiming them | Michelle Kambasha
This week, Drake treated fans to a surprise drop of his new album Honestly, Nevermind. Its release, just nine months after his last record, Certified Lover Boy, received lukewarm reviews from critics, was unexpected. Fans had hoped for a return to the sounds he made famous: conventional, bassy, euphoric hip-hop tunes to brood to; agonised lyrics that would be the mainstay in Instagram captions for the rest of the summer. But instead, another curveball: track after track of deep house beats.
A few days later, Beyoncé teased her new single, , featuring the distinctive bassline of the house classic Show Me Love by featured some songs that entered new territory – take the country-tinged single Daddy Lessons – but on the whole, it was firmly anchored in the kind of R&B that has been popular and chart-topping for the past decade. But this single offered something new – an unmistakeable hark back to 90s house.
