The Artist Magazine

Be inspired by photomontage

In the past few years digital art has become much more accepted and encompasses many disciplines. Perhaps this is linked to the ever-changing world we live in, where the boundaries are more blurred than ever; perhaps it’s just progress. In any case, creativity and inventiveness are perfectly illustrated by our case study, Claire Gill, who doesn’t like to fit into a box or even give herself a title. ‘It took me a long time to consider myself an artist, ’ she says. She describes her work as ‘poetic photomontages inspired by a sense of place.’ I’m full of admiration for her clever and contemporary prints created using mainstream digital software. She’s obviously an expert in her craft, spending hours in the process and the results are quite unique.

Such modesty is typical of artists, particularly the frontrunners, breaking down boundaries between fine and digital art. Claire plays

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Want to comment on something you’ve read, or seen? Email me at theartistletters@tapc.co.uk or visit our website at www.painters-online.co.uk/forum Way back in my school-day A-level years in 1974-76 my passion for art was ignited by my amazing art tea

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