<em>We’re All Going to the World’s Fair </em>Takes On the Horror of Internet Echo Chambers

Cinemas are pretty much always the best way to watch a movie. The darkened screening room is the ideal place to immerse yourself, distraction-free, in a film’s sound and visuals. That’d be a fine setting for Jane Schoenbrun’s , a tale of online alienation that debuted at 2021’s Sundance Film Festival and hit theaters and some streaming services this month. But this release is also the rare case in which I’d advocate for a more intimate viewing experience: at home, perhaps