Rap the casbah: the Casablanca school giving young hip-hop stars a voice
‘Hip-hop didn’t just come out of nowhere,” explains young teacher Anas to his even younger class in Casablanca Beats. He speaks of the “poverty, racism and humiliation” experienced by hip-hop’s African-American founders, and how the genre became a vehicle for self-empowerment and social change. “It’s rap that speaks of our lives, of our problems, things people aren’t supposed to know.”
The Moroccan teenagers listening to Anas can relate to this. Hip-hop is now a commercial industry in the US, but around the world rap has become the lingua franca for disempowered and disaffected youth, and the soundtrack to revolution. Nowhere more so than north Africa. During the Arab spring in the 2010s, protesters in Tunisia and Egypt chanted the lyrics of Tunisian rapper El Général’s anti-corruption anthem Rais Lebled: “Misery is everywhere and the people haven’t found a place to sleep
You’re reading a preview, subscribe to read more.
Start your free 30 days