The Guardian

Dominique Gonzalez-Foerster: Alienarium 5 review – an all-together-now of beautiful minds

At the back of the Serpentine Gallery, among the spring blossom, is a strange vision of elsewhere. You must stand outdoors to see it, through a pane of glass darkly. At first it looks like a drop of milk, falling in slow motion, its splash rising in a delicate corona. Then it twists and expands, and twists again, like some dancing double helix. It is only a hologram, flickering in blackness, but the poetry exceeds the technology: it looks like an ever-growing Milky Way coming into view from some unimaginable distance.

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