The Shed

DARK VUECCANO — A MECCANO-INSPIRED SCULPTURE

In early 2020, Paul Cockburn, the general manager of Caffe L’affare, asked me to be part of the small group of New Zealand artists who would do an art piece/study of one of the cafe’s long-term staff to appear on one of its coffee bags.

The project

For me, the project had three parts: the design for a coffee bag label, a large sculptural piece, and the shooting of 12 stereo images with a 1960s Russian Sputnik Bakelite camera using Kodak E100 slide film.

The interactive steel sculptural tower I built — 2.1m high, 1.3m wide, and 1.2m deep — was inspired by the children’s constructor system, Meccano.

The viewer stands at the sculpture and peers into binocular eyepieces to view 12, 3D transparent photographic images of the bush, of damaged habitat, and of endangered birds. The tower itself is metaphorically the lone remnant of an ancient forest giant, a harbinger of doom, while I envisaged the stereo disc as the sombre-coloured head and eyes of a mutated iridescent extinct bird alone, the last bird left standing, the end of the line.

However, a new brief from L’affare towards the end of the project called for the ‘damaged habitat’ images to be replaced by portraits of the 12 artists who were involved in the rebranding project. This I did.

The contraption

The sculpture ended up looking like some contraption from the 19th century — it certainly is not of modern times. I think my intention was to create something with a unique voice and an entry point for the viewer, via the not-so-distant echo of a child’s Meccano set.

The look, the materials, the patina? My family had many books that showed grainy sepia photos of 19th century shipyards, steam engines, and working men and women operating or building astounding machines and tools. These items often seemed to have a beauty that was not required for them to function: elegant castings, huge riveted steel sheets, hand-wrought objects, exposed chains, cams, wheels, and giant switches, gate valves with elegant giant cast handles, smoke and steam and convoluted pipework. Some of

You’re reading a preview, subscribe to read more.

More from The Shed

The Shed11 min read
A Use For Leftover Forged Cranks
The story of Chris Gordon making a seatless tricycle from components inexpensively sourced from Christchurch’s EcoShop was related in part 1 of “Chris Gordon keeps busy” – The Shed, issue 113. A consequence of buying several second-hand children’s bi
The Shed2 min readDiscrimination & Race Relations
OK, Boomer!
I’m a boomer. I was born in that exalted era between the end of World War II and 1964. I was a rebel, a hippy, a rock music fan. I grew up during one of the longest sustained periods of peace and prosperity. That changed when the Americans brought us
The Shed7 min read
The Best Hut Ever!
My six-year-old grandson, Mars, has been diagnosed as autistic. With his birthday coming up, I decided to build him a hut – one that could go outside or in the garage; one where he could do whatever he wanted to and it wouldn’t be a problem. Mars lik

Related Books & Audiobooks