Prog

Mystical Purpose

“We’ve always been drawn to a certain kind of music. Complicated music, if you like, whether it’s My Life In The Bush Of Ghosts by David Byrne and Brian Eno, Peter Gabriel 3, or whatever.”
Roland Orzabal

Curt Smith has a framed picture of King Crimson on his bathroom wall. It’s not just any old photo. The occasion is April 30, 1981, in the confines of Bath’s Moles club, where a fresh iteration of the band – tentatively called Discipline – is returning to the live stage for the first time in seven years. Bassist Tony Levin dominates the foreground, while the 19-year-old Smith stands directly in front of him, utterly transfixed.

“A friend of mine got Tony Levin to send that picture to me,” explains Smith, who went on to form Tears For Fears with Roland Orzabal later in ’81. “Apparently, Tony used to have this side-stage camera that he’d take pictures with during a gig, using a footswitch. So it’s taken from slightly behind him, with me looking at him playing a Chapman stick. In the picture I’m like, ‘What that?’”

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