Huck

CONCRETE CANVASES

FOR A FLEETING MOMENT, FOLKESTONE SEEMS EVERY inch Britain’s response to the fabled resorts of the Mediterranean. The sea reclines flat on its back, beach pebbles bathe in the sun, and the beguiling chalk cliffs snooze along the horizon.

Then, suddenly, the rain return, thundering down violently. The waves swell and churn. Out of nowhere, a skinny kid with a skateboard sprints into view, screams at the top of his voice, and rides full-tilt over a ramp, contorting his limbs wildly mid-flight, before sketchily landing the kickflip.

Others soon swarm out of the woodwork. One lands a slick railslide. Another bails painfully onto his back. A third snaps his board in two after launching high into the air. But they keep coming. Hundreds of black t-shirts, beanies and baggy jeans: it’s like a scene from a zombie movie if the apocalyptic swarm was made up of gnarly skateboarders.

“I’ve been skating here since I was a kid,” says Joshua Lee, leaning both his tattooed arms against a metal fence at the edge of the pop-up event at Folkestone’s harbour. “It wasn’t always like this. I can guarantee you that.”

All around, energy pulses through the air – not

You’re reading a preview, subscribe to read more.

More from Huck

Huck3 min read
Three Cities
WHEN IRISH PHOTOGRAPHER AND DIRECTOR, Niall O’Brien and his girlfriend Nikki moved to Silicon Valley for a three-month work secondment, they found themselves in a nondescript area called Campbell. They were living in a big, soulless, empty apartment
Huck2 min read
Editor Note
This is the Power of Words issue. It has never been more important to have strong, independent voices speaking truth to power and fighting for justice. Whether it’s challenging authoritarian regimes, exposing war crimes, combatting powerful AI, writi
Huck7 min read
The Freaks Came Out To Write
Tricia Romano’s The Freaks Came Out To Write tells the story of New York’s iconic Village Voice, using over 200 interviews with the people who were there. The paper was the first publication to cover hip-hop, the avant-garde art scene, and the AIDS c

Related