The Critic Magazine

Press gang

EVERY WAR HAS ITS reporters’ hotel. In Beirut the foreign press gathered at the Commodore, in Saigon at the Continental Palace. In Zagreb in the early 1990s we favoured the Esplanade, a stunningly beautiful, atmospheric art-deco building originally built for passengers on the Orient Express.

The hotel opened in 1925 and very quickly became the centre of the city’s social life until it was taken over by the Wehrmacht and the Gestapo. Even

You’re reading a preview, subscribe to read more.

More from The Critic Magazine

The Critic Magazine4 min read
Romeo Coates “Between You And Me …”
GIVING US HIS MODERN-DAY Falstaff (suddenly “Shakespeare’s ultimate gangster”, apparently), McKellen unfashionably relies on a fat suit for the role. Though such an approach is now often frowned upon by the obese/obese-conscious, old Gandalf deems hi
The Critic Magazine4 min read
Michael Prodger on Art
SOMETIME AROUND 1909, THE Romanian sculptor Constantin Brâncuși was approached by “a lady from Paris, a princess” with a commission to carve her portrait. Brâncuși, a leading Modernist, had a “miserably low opinion” of traditional sculpture, even des
The Critic Magazine3 min read
Anne McElvoy on Theatre
AGATHA CHRISTIE HAD MODEST aspirations for The Mousetrap when her murder mystery opened in 1952. Her producer predicted a 14-month run but the great literary stiletto-wielder replied, “It won’t run that long. Eight months perhaps.” By 1957, it had be

Related Books & Audiobooks