The Critic Magazine

Savour the Silence

THE UGLIEST EPITHET EVER attached to a conductor in my time was coined in the late 1980s when two London orchestras were fighting it out for the right to sole residency at the Royal Festival Hall. Neither organisation was in good shape.

The Philharmonia Orchestra was conducted by Giuseppe Sinopoli, an Italian psychoanalyst whose ideas floated above the players’ heads. The London Philharmonic was losing the inspirational Klaus Tennstedt to cancer and players were unsure about his successor, a bespectacled Austrian, not yet 30, who went by the assumed name of Franz

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