Eddie Vedder
Earthling SEATTLE SURF/REPUBLIC
For a moment back there it looked like we’d lost Eddie Vedder to the ukulele. The Pearl Jam singer began learning to play this most divisive of stringed instruments sometime in the mid-90s, initially as a joke. By the time of his 2011 solo album, Ukulele Songs, things had become serious. One of the most distinctive voices in rock had become the grunge George Formby.
Vedder’s third solo album proper is no less surprising, but for entirely different reasons. Where Ukulele Songs seemed designed to keep the singer’s A-list fame at arm’s length, Earthling finds him fully leaning into it. This is a mainstream rock record by a man who has spent a career signalling his discomfort with being a mainstream rock star, a set of songs that willingly embrace the middle ground. The list of guest appearances alone reads like a Prince’s Trust Charity gig: Elton John, Stevie Wonder and Ringo Starr all chip in.
That’s not to say is a bad album. Far from it. With Ozzy Osbourne/Miley Cyrus producer is simultaneously uplifting and breezy, sounding like Peter Gabriel’s relocated to the Pacific Northwest. wears its influences even more brazenly on its sleeve – with its big, open chords and rolling-down-the-freeway sentiments, it sounds like a great lost Tom Petty song. There are moments that sound superficially like Pearl Jam, not least with its soaring chorus, and the breathless one-two of and harmonica-blasted , both of which call back to the garage-rock energy that powered parts of 1993’s .
