Trigger Happy
t the end of Tom Stoppard’s 1990 film of his own 1966 play, Rosencrantz And Guildenstern Are Dead, the heroes are standing with nooses around their necks. “That’s it then, is it?” asks Rosencrantz (Gary Oldman), with puzzled resignation. “Done nothing wrong. Didn’t harm anyone, did we?” Indeed they didn’t. “There must have been a moment at the beginning when we could have said no. Somehow we missed it,” muses his mate Guildenstern (Tim Roth). “Well, we’ll
