Pianist

Melanie SPANSWICK

: I love Spain! It’s a wonderfully diverse country with a warm Mediterranean climate, gorgeous cities and offers a less obvious Spanish vibe: its atmospheric and esoteric character comes from the calm, misty mountain ranges of the Sierra Nevada in Andalusia. To capture this, keep all quavers completely smooth, even and rhythmical throughout, with the exception of the ritenuto at the end. The melodic material in the RH part would be effective with a slightly deeper touch: For example, in bars 1-3, the quaver Cs need a little more colour – but it’s the Bs which are the focal point, so ‘place’ them carefully. Similarly, in the LH part, the Es in bars 5, 6, and 7 also require more sonority. Observe the pause at bar 9 and experiment with various timbres from bars 10 to 15 where both hands move up the octave.

You’re reading a preview, subscribe to read more.

More from Pianist

Pianist4 min read
ALBUM Reviews
Natural Connection: Piano music inspired by the natural world Somm SOMMCD 0680 Leon McCawley’s latest recital offers pieces inspired by the natural world. He makes some delightful connections in his choices of repertoire. We go straight from a thunde
Pianist1 min readMusic
Edvard GRIEG (1843-1907)
WATCH CHENYIN LI PLAY THIS AT WWW.PIANISTMAGAZINE.COM Grieg’s third volume of Lyric Pieces was written and published in 1886 and consists of six pieces, of which ‘To Spring’ – a fantastic showpiece for pianists to conquer – appears as the last. The O
Pianist8 min read
Pedagogues, Pedants And Pedals
When I was starting French at school, one of the teachers told us to think of the difference between ‘tu’ and ‘vous’ as the same between ‘thou’ and ‘you’ in English. I still remember the confusion this caused. ‘Thou’ in English is archaic, rare and f

Related Books & Audiobooks