UNCUT

THOMAS LEER & ROBERT RENTAL

The Bridge (reissue, 1979)

THE GREY AREA OF MUTE

8/10

THE year 1979 was when synth-pop went overground. In May, Tubeway Army released their final single “Are ‘Friends’ Electric”, a Moog-powered track that propelled the band – and their pale cyborg of a lead singer Gary Numan – to. That same month, another seminal synth-powered record hit shelves. That is seeing its first vinyl reissue since 1979 would seem to indicate it’s more of a footnote in the history of electronic music than a foundation stone. But a listen from the vantage point of 2022 reveals it to be as striking as Numan’s music of the era. Eerie and unsettling, rough in a DIY way but buzzing with ambition, it’s imbued with the spirit of punk but pointing somewhere new.

You’re reading a preview, subscribe to read more.

More from UNCUT

UNCUT7 min read
Irmin Schmidt
FOR a few years now, Irmin Schmidt has been the conscientious curator of the Can legacy – a role that has taken on added poignancy since the recent passing of Damo Suzuki, leaving keyboardist Schmidt as the last surviving member of the classic early-
UNCUT2 min read
Q&A
What did you think of Rolling Stone and other publications centring so heavily on the Hendrix comparisons? I felt what we were doing was something unique, and that can make it difficult to pin down. It’s not always easy to find helpful reference poin
UNCUT1 min read
Q&A
There’s a lot about Big Wave that suggests the album was written during an unhappy period of your life. Is that reading too much into the songs? Not at all. When I started writing these songs, I wanted to dive into a shadow growing inside me. I felt

Related Books & Audiobooks