The Atlantic

Why Are People So Mad About <em>Don't Look Up</em>?

Climate change is a tough subject for any film, let alone a satire.
Source: Niko Tavernise / Netflix / Charlie Le Maignan / The Atlantic

Adam McKay’s disaster satire Don’t Look Up is many things at once: a parable of our distracted society, a primal scream of a warning, and a broad comedy from the writer/director of Anchorman. Such a delicate balance has made the star-studded Netflix film a polarizing movie.

Critics, audiences, and activists have both savaged and praised the movie, and the backlash has highlighted the difficulty of conveying an urgent message with comedy. Has political satire lost its power? Or has reality become so absurd that it’s now beyond parody?

That challenge was evident in the making of Don’t Look Up. As McKay told David Sims, he wrote the story about a planet-killing comet (and our society’s inability to act collectively to stop it) as a climate-change metaphor. But after the script was done, production shut down for the pandemic and he watched the follies of a real-life disaster surpass his fictional one.

COVID-19, climate change, and a planet-killing comet are very different crises. But the narrow-minded leaders of Don’t Look Up are unable to act against even the most obvious of existential threats. How close is its story to our own? And can its message make a difference?

Staff writers Sophie Gilbert, David Sims, and Spencer Kornhaber discuss the movie and the current state of satire on the Atlantic culture podcast The Review. Listen here:

Subscribe to The Review: Apple Podcasts | Spotify | Stitcher | Pocket Casts


The following transcript has been edited for length and clarity. It contains spoilers for Don’t Look Up.

Today we are here to talk about the disaster satire from Adam McKay that came out on Netflix last month. Here’s a bit of plot by way of recap, if you haven’t seen it or just want a refresher. The.

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic4 min read
Hayao Miyazaki’s Anti-war Fantasia
Once, in a windowless conference room, I got into an argument with a minor Japanese-government official about Hayao Miyazaki. This was in 2017, three years after the director had announced his latest retirement from filmmaking. His final project was
The Atlantic8 min readAmerican Government
The Most Consequential Recent First Lady
This article was featured in the One Story to Read Today newsletter. Sign up for it here. The most consequential first lady of modern times was Melania Trump. I know, I know. We are supposed to believe it was Hillary Clinton, with her unbaked cookies
The Atlantic4 min read
KitchenAid Did It Right 87 Years Ago
My KitchenAid stand mixer is older than I am. My dad bought the white-enameled machine 35 years ago, during a brief first marriage. The bits of batter crusted into its cracks could be from the pasta I made yesterday or from the bread he made then. I

Related