The Guardian

Peter Bogdanovich: a loving cineaste and fearless genius of cinema | Peter Bradshaw

Peter Bogdanovich was the blazing night-sky comet of the New Hollywood generation whose trajectory got knocked off course a little, by personal tragedy and the contingencies of show business, but kept hurtling onwards with brilliant work and passionate cinephilia to the very end. His first four hits, Targets (1968) The Last Picture Show (1971), What’s Up Doc? (1972) and Paper Moon (1973) were somehow both thrillingly and authentically modern and yet also instantly belonged to the classic pantheon. With the touch of restless young genius, he seemed to reinvent pulp crime, the western, the road-movie and the screwball comedy

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