Los Angeles Times

‘Emily in Paris’ is back. Let’s break down Season 2’s most deliciously basic moments

After spawning a cottage industry of influencer analyses and playing a featured role in the controversy around the Hollywood Foreign Press Association, “Emily in Paris” returned Wednesday for Season 2, now going head-to-head with its forerunner “Sex and the City.” This time around, creator Darren Star‘s comedy about an American woman and social media maven (Lily Collins) celebrating or desecrating the City of Light — depending on your perspective — adds new cast members, expands others’ storylines, plays with additional aspects of influencer culture and suggests a certain knowingness about the horror it causes its Parisian subjects. As Emily’s boss Sylvie (Philippine Leroy-Beaulieu) says, “The French are very susceptible to having their culture interpreted by foreigners and shoved down their throats.”

Join senior ringarde editor Matt Brennan and chief ringarde correspondent Yvonne Villarreal as they discuss the return of the Netflix comedy it’s un peu fun to hate:

Matt Brennan: Yvonne, I must admit I have a complicated relationship with “Emily in Paris.” It premiered on Netflix last fall at a particularly difficult moment in both the COVID-19 news cycle —

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