When Wolf Alice stepped off stage at London’s Brixton Academy at the end of 2018, they left as a band with the world at their feet. The British four-piece’s eclectic second album, Visions of a Life, had brought them commercial success and critical acclaim in equal measure, culminating in a Mercury Prize win and support slots for rock royalty (Foo Fighters, Queens of the Stone Age, Liam Gallagher). They could have easily coasted on that momentum
