Goldmine

GO GO TO THE ROCK HALL!

Justice finally has been served with The Go-Go’s long overdue induction into the Rock and Roll Hall of Fame. Unwitting pioneers and historic trailblazers, The Go-Go’s bulldozed over every barrier in front of them, delivered a frothy and infectious mixture of pop/punk/New Wave concoctions that connected with the zeitgeist in the ’80s, inspiring a slew of female rockers, from Sleater-Kinney to The Donnas, Sheryl Crow to Liz Phair.

The following is a conversation with founding Go-Go’s members Jane Wiedlin and Charlotte Caffey for a look back at a career filled with beauty and the big beat.

GOLDMINE: The Go-Go’s were a punk rock band in the beginning of your career.

JANE WIEDLIN: Yeah, the scene wasn’t pop at all. We lived at the Canterbury. It was this apartment building that is now derelict as a result of an earthquake. I lived there, Belinda, the Bags lived there, The Deadbeats lived there. I think some of the Zeros might have moved in. The scene at the beginning was so small. There might have been a couple of hundred people. Everyone that was in the audience was also in a band, too. It was really small and really exciting and you got this feeling that you could do anything, because there weren’t any rules anymore.

GM: The group did its first gig at a Hollywood club called The Masque.

Yeah. It was this club in the basement of a porno theater on Hollywood Boulevard. It was a rehearsal hall and they also had shows there. That was one block from the Canterbury. For the very first gig it was me, Belinda, Margot (Olavarria)

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Issue 948, Vol. 50, No. 1 EDITORIAL EDITOR Patrick Prince DESIGN Dave Hauser COPY EDITOR Chris M. Junior CONTRIBUTING EDITORS John M. Borack, Ray Chelstowski, John Curley, Frank Daniels, John French, Gillian G. Gaar, Mike Greenblatt, Chris M. Junio

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