Ode To A Highflying Bird
THE Ealing Jazz Club didn’t promise much from the outside. Situated opposite Ealing Broadway tube station, wedged between a jeweller’s and a tea shop, a tight set of steps led down into a faceless cellar. “It had a capacity of about a hundred people, maybe a few more,” recalls frequent visitor Dick Taylor. “There was a cloakroom, then a narrow room with the bar at one side. It was only a small club. But you’d walk through the door and it would sound like Chicago in there. The atmosphere was incredible.”
On March 17, 1962, the club began to operate as Britain’s first regular rhythm’n’blues venue. Led by guitarist Alexis Korner and harmonica player Cyril Davies, Blues Incorporated took over on Saturday nights, providing a nexus for the growing number of R&B bands that sprouting up around London and the suburbs.
But the Ealing Club wasn’t just about the music. It was a place where crucial connections were made, a gathering of kindred souls. “We all saw ourselves as crusaders for the blues,” says Paul Jones. “We were all more or less the same age. To find all these other like-minded people down there was very significant.”
One of these figures was 20-year-old Charlie Watts, then drummer with Blues Incorporated. “Charlie came from a jazz background and was just a brilliant drummer,” says Taylor. “You had to be seriously good to get into Alexis’s band. Everybody was aware of that. Not only that, but Charlie was also always such a cool character and smart dresser, from the early days.”
A nod and a handshake in a smoky room. Such was the ease with which friendships were made, alliances formed. In the space of a few weeks, Watts was introduced to Brian Jones, then Mick Jagger and Keith Richards. By the summer of 1962, all three had guested with Blues Incorporated, sharing the stage for the first time with their future bandmate.
“You never knew who was going to be part of Alexis’s band next,” says Taylor. “He wasn’t a particularly amazing musician, but he was so into his blues.
