This Thing Feels Alive: The Millions Interviews Brad Fox
I have trouble getting books in Kyiv. Not books. There are lots of those. Most of which make me wonder if the Russian nationalists burning books in Crimea might be on to something. Check that. Flip it. They’re not on to anything. They’re just assholes. They burn books because ideas scare them and books in Ukrainian and Tatar apparently terrify them.
No, I have trouble getting physical books, in English, translated or not, that are appearing on the American market. And so, last autumn, a publisher I’d never heard of offered me a physical book from a writer I’d never heard of. I read the blurb, looked at the bio, and said yes, please send it.
The blurb was fine. But that bio: Brad Fox left the U.S. at 20; came home to get an education; left again. Came back 15 years later. An American who’d spent the better part of his adult life living in places profoundly not America, doing humanitarian work. The book, and the man behind it, drew me in, in part, because their very existence—both the book’s and the man’s—cuts against the grain of a whole slew of American political and cultural orthodoxies.
And after several hours on Skype with Fox, I found out that being angry, hyperbolic, or revolutionary are not required for great prose when intelligence will suffice. In fact, I’d say the former are counterproductive to writing
