Writing Magazine

START RIGHT

The Writing Magazine Picture Book Prize is up and running again this year. Previous winners have gone on to sign publishing deals or sign with top agent, Julia Churchill, as well as receiving valuable feedback on their work. The Picture Book Prize has helped support and nurture emerging writers, as well as kickstart some careers. We are thrilled to offer this opportunity and delighted to see that it is making a difference.

This month, I’m focusing on the crucial opening lines of your picture book.

Setting expectations

Look at your opening spread (the double-page the book opens up on). What information are you conveying to your reader? Do you clearly set the genre? The tone? The setting? The character? From your opening spread, will your reader know what kind of book to expect? What could you guess about the story from these opening lines?

1.
Daisy had a box.
It was a special box.
A box which promised… adventure.

2.
The stars twinkled and the moon watched,
as Daisy snuggled into bed. She gave a yawn

You’re reading a preview, subscribe to read more.

More from Writing Magazine

Writing Magazine1 min read
Writing-competitions
www.writers-online.co.uk/writing-competitions ■
Writing Magazine3 min read
REAL LIFE, Great Stories
We think of our lives as a single narrative, a sequence of big events that have made us into the person we are, and this story is where most people start when they first consider writing a memoir. But the single narrative view is not the only way to
Writing Magazine3 min read
Standout, Breakout
For a few years I had pinned above my desk a Private Eye cartoon by Peter Cook. Two literary types at a book launch, ‘I’m writing a novel,’ says one, ‘neither am I,’ replies the other. It’s a curious irony, given the amount of time that authors spend

Related