espite Chung Sang Hwa’s (1932–) market recognition in South Korea as a blue-chip Dansaekhwa artist, there has been scant academic scrutiny of his six-decade practice compared to that of his contemporaries, such as Lee Ufan and Park Seo-Bo. The National Museum of Modern and Contemporary Art (MMCA) in Seoul aimed to correct this oversight with its sprawling retrospective of Chung Sang Hwa, showcasing some 100
Chung Sang Hwa
Sep 02, 2021
2 minutes
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