DIAMOND STATUS
If you went looking for Lily Collins at about this time last year, you would probably have found her sitting cross-legged on the floor in her home office in Beverly Hills, flush against the floral wallpaper. Delicately stencilled and very pretty, the wallpaper served as a perfect backdrop for what was basically an objectionable amount of Zooming. Collins was hard at work virtually promoting Emily in Paris , her mille-feuille-light Netflix miniseries about a confident Midwestern marketing executive who conquers the city of love one excruciating French stereotype at a time. To date, the show has been watched by more than 58 million people.
The only problem was the temperature: sure, it was Los Angeles, but it was still autumn. It could get cold in her office. So Collins made Zoom’s functional limitations
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