Esquire Singapore

immortal

At 56, already decades into an A-list career, Chris Rock is rebooting the Saw franchise.

He nailed the fourth season of Fargo.

He’s directing again.

He’s writing more jokes.

The man might just be trying to live forever.

He stops on a pedestrian island to let traffic pass on Houston Street, and in that brief wait, I wonder if the people in the trundling cars spy one of the most famous comedians on earth under his mask and transition-lens glasses. No one, though, drops the window to shout his name or honk or jab an index in astonishment-Chris Rock granted a reprieve from living famous 24/7/365. Rock, who’s dressed casual in a hoodie and cargo pants and white Reebok Classic trainers, troops a half step ahead of me, a Tumi backpack slung over a shoulder.

We turn past a multitude of preschoolers enjoying the recess of their lives inside a fenced-in ball field and amble on up MacDougal. He slows his gait a bit. “The thing about this block is: it’s where Cosby worked. It’s where Joan Rivers worked. It’s where Woody Allen worked. It’s where Mort Sahl worked. All these motherf**kers,” Rock says. “It’s where Bob Dylan worked. Where Jimi Hendrix worked. You know what I mean? It’s kind of a mecca for pushing it.”

The street is narrow in normal times, but with the New York City Covid protocols for indoor dining, it takes careful manoeuvring to avoid smacking, with our backpacks, people palavering at outdoor tables.

We stop outside the Comedy Cellar, the club that sits down a few scuffed steps from street level. A helluva lot of feet have walked down these steps and onto the stage inside, most on their way to nowhere, a few on their way to a career, and a tiny handful on their way to being remembered.

A poster with pictures of some of the memorable ones hangs on the wall. Rock scans the rows.

Let’s see: there’s Dave Chappelle, Bill Burr, Robin Williams.

You can’t see his mouth under his mask. Is he smiling? Pursing his lips to focus?

Wanda Sykes, Colin Quinn.

(Funny thing: when Rock needed a comedy club for a scene in his 2014 movie -which he wrote, directed and starred in-he chose this very establishment, its name ever lit up in the round yellow bulbs of a Broadway marquee. The character he wrote for himself?

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