Pianist

STROKES OF COLOUR THE SUSTAIN PEDAL

The sustain pedal is the piano’s Swiss Army knife. That inconspicuous piece of brass resting under the right foot is how we access a dizzying complexity of sounds, effects, textures and colours. The other two pedals – the sostenuto (or more often a ‘practice’ pedal on an upright) in the middle, and the una corda, off to the left – are far less habitually used devices, yet each of these opens up its own Aladdin’s Cave of effects. Though we tend to think of the sustain pedal as helping us to achieve two things – a legato or sustained effect and a warmth or ‘bloom’ of tone – in reality this hardly scratches at the surface of its possibilities.

You’re reading a preview, subscribe to read more.

More from Pianist

Pianist1 min read
Mel BONIS (1858-1937)
Composed and published in 1913, French composer Mel Bonis’s Album pour les tout-petits Op 103 contains 20 relatively easy pieces which feature some charmingly descriptive titles: There’s La puce (The flea), Douce amie (Sweet friend), La toupee (Spinn
Pianist2 min readMusic
Spring Has Sprung
‘Thank goodness spring is here,’ I thought, as I looked out onto the garden one morning in early March, watching my cat weave his way through the daffodils. Spring brings the promise of new life. The dispelling of cold, hard winter, and the welcome a
Pianist1 min read
Cornelius GURLITT (1820-1901)
One often associates German composer Cornelius Gurlitt with easy, rather ‘plain’ repertoire. However, this delightful set of six pieces, entitled Spring Flowers, is anything but mundane! The set was first published in 1896, ‘Daffodil’ featuring as th

Related Books & Audiobooks