e are familiar with critiques of Orientalist fantasies, especially as such fantasies manifest throughout the Western art-history canon in the works of painters such as Eugène Delacroix and Jean-Léon Gérôme. Such critiques, à la Edward Said, are often refracted through the lens of Orientalist female objectification: the turning of people into things. But what if such critiques of Orientalism are inadequate in truly grasping the complex imbrication
Dominique Fung It’s Not Polite to Stare
Jul 03, 2021
2 minutes
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