The Atlantic

<em>In the Heights</em> Knows the Second-Generation American’s Dilemma

In the new musical, restless young adults are torn between a beloved neighborhood and dreams of escape. But Abuela Claudia, the community’s matriarch, suggests a different way of thinking.
Source: Warner Bros.

This article contains spoilers for In the Heights.

In The Heights, the director Jon M. Chu’s Hollywood adaptation of the groundbreaking Broadway musical, is ostensibly a tale about the aspirational young. Its focus stays mostly on some dreamers (and a “Dreamer”) living in the Upper Manhattan neighborhood of Washington Heights. They form an ensemble cast of working-class Latino characters—immigrants and American-born—chasing far-fetched but not entirely implausible sueñitos, or “little dreams.”

There’s Nina (played by Leslie Grace), a student back from Stanford University who is afraid of betraying her values; the businesswoman Daniela (Daphne Rubin-Vega), who has been priced out of her storefront; Vanessa (Melissa Barrera), a fashion visionary trying and failing to lease a

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