Guernica Magazine

The Desert Is Not Empty

The poems in On This Side of the Desert multiply and reimagine the borderland desert.
Ana Teresa Fernández, "Erasing the Border." Used with permission of Gallery Wendi Norris.

I recently watched a gimmicky nature documentary called Night on Earth. After dark in the Sonoran Desert, Mexican long-tongued bats behave like the birds and the bees. They carry pollen from one night-blooming cactus to the next, fertilizing them across great distances. The documentary unfurled these wonders in time-lapse: cactus flowers, pink and purple and white, arc open to expose stiff styles and powder-lush stamens. The bright, open petals reflect the moonlight, their blue sheen a beacon. Bats flap like hummingbirds as they tongue nectar from the flowers’ sweet centers, dusting their faces bright with pollen. A desert miracle, ordinary as sunset.

I thought of the speaking bats in the Salvadoran poet Javier Zamora’s “Saguaros,” a poem about a childhood US/Mexico border crossing.

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