TOM HOLKENBORG
“This is definitely up there with some of the longest scores in history, it’s been intense,” explains an excited Tom Holkenborg (widely known as Junkie XL). Tom is delighted that the long-anticipated Zack Snyder cut of Justice League is finally seeing the light of day. This substantial re-edit of 2017’s superhero extravaganza Justice League is a labor of love sprung from a relationship Tom has had with director Zack Snyder since 2013’s 300: Rise of an Empire. “Zack and I have been talking about bringing this out for years,” the Dutch polymath tells us. “It’s really thanks to the power of the fans that this happened. They have not only been harassing Warner Brothers for the movie, but also to release the score. So, we really owe it to them and their tenacity that this finally got made. We felt it coming.”
One of Hollywood’s most in-demand composers, Tom’s acclaimed soundtracks have fused electronic music with classical approaches, cacophonous, relentless percussion and visceral rock elements. An ongoing love of modular synthesis permeates nearly all of his diverse projects, using the potential of a breathtaking modular ‘wall’.
With this four-and-a-half-hour score, Tom was given free rein to pull all the threads together. “This is movie number six Zack and I have collaborated on. I decided to do this new score from the ground up. I listened back to what I had originally planned for it (before Tom and Zack left the project in 2017, replaced by Danny Elfman and Joss Whedon respectively) and felt that I could do way better. I’ve learned a lot from all the great directors I’ve worked with: Robert Rodriguez, James Cameron, Peter Jackson, George Miller; I learned so much from all these people. What I had originally planned wasn’t up to scratch. I called Zack
