fresh spin
WONDER WOMAN 1984
fter 2016’s , Hans Zimmer returns to DC with all-fronts brims with both intricacy and expansive grandeur: after ‘Themyscira’'s choral rush, Zimmer whips multiple cues (for characters, period, romance, action…) into electro- orchestral shape. WW’s lashing theme is judiciously revisited throughout, while ‘Radio Waves’/‘Truth’ triumphantly lasso everything together.
