A beautifully crafted love story set in a different era
SOUTH African film-makers don’t often attempt period movies.
So when the press release went out that Toorbos was hitting the big screen, it got noticed.
Aside from the period that the story is set in, there was a fair amount of curiosity around René van Rooyen’s adaptation of Dalene Matthee’s top-selling 2003 novel.
Set in the 1930s, the story follows Karoliena Kapp, played by Elani Dekker. With South Africa’s Knysna forest as the backdrop, our female forest dweller protagonist finds herself at a crossroads after meeting the man of her dreams.
Her inner conflict leads her on an unforgettable adventure.
Toorbos is Dekker’s first period movie. She already has Jou Romeo (2016), Vaselinetjie (2017), Liewe Lisa (2019) and Vergeet My Nie (2020), under her belt.
On prepping for the role, she revealed: “I did read the book a few times. I think Karoliena was definitely a strong feminist who sets a beautiful example to young ladies today in terms of how to stand for what you believe in and not to conform to what others expect you to be.”
Expanding on her character, Dekker added: “We follow Karoliena’s journey over a period of about 10 years. She goes through different phases and situations where she is constantly faced with others expectations of her, what she ought to do and feel and what she really thinks and feels.
“The beauty of Dalene Matthee’s writing is that all her characters are wonderfully complex and sometimes contradict themselves as real people often do. So, in Karoliena, people will, hopefully, see how strength and weakness, wisdom and foolishness exists inside us all – it’s what we choose to hold on to and let go of that matters.”
As for working alongside Stiaan Smith, who plays love interest Johannes Stander, Dekker shared: “I loved working with Stiaan. He has a wonderful way of looking at stories and making characters authentic and real. We met for the first time on this project, and I truly hope that there will be many more.”
While she falls for Johannes, she wrestles with the idea of joining the shallow sector of society who are obsessed with money and appearance.
On having Van Rooyen as a director, she said: “René was absolutely incredible
