ALLISON CHHORN
esigned to protect plants from the fluctuating forces of the wild, greenhouses are symbolic of humankind’s attempt to tame nature. In Cambodian-Australian filmmaker Allison Chhorn’s 46-minute docufiction (2019), however, one
Kang Seung Lee
Friendship, kinship, community—how can these interpersonal connections be established and maintained across geographies and even across generations? The multiplicity of relationships that Kang Seung Lee forms through his artistic practice is both ima
