The Atlantic

Country Music Can No Longer Hide Its Problems

A genre famously resistant to change and controversy has been jolted by the pandemic and protests.
Source: Kevin Mazur / Getty

The No. 1 song on country radio at the moment is about the joy of tequila, Jimmy Buffett, and crowds. “One Margarita,” by the 43-year-old Georgia-born superstar Luke Bryan, gives a detailed plan for losing one’s faculties to lime-flavored frozen cocktails guzzled with friends. In the music video, crowds wearing sombreros gather with beach balls on some nice sandy shore as Bryan presides in board shorts. Unavoidably, some viewers will be reminded of the infamous Lake of the Ozarks splashathon, or of kids who spent spring break in Florida when much of the country was hunkered down with sourdough starter.

But “One Margarita,” released in March, is a pre-COVID-19 recording. And at this phase of our interminable crisis, images like the ones in Bryan’s video fill me with nostalgia rather than revulsion. Sipping a homemade marg on my couch for the 17th week in a row, I just want to be at that big cheesy beach party. I just want normal.

[Read: Pop music’s version of life doesn’t exist anymore]

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