The Atlantic

The Films That Understand Why People Riot

Black filmmakers have used their works to show that the state’s inhumane treatment of black people, not the uprisings that result, is the real chaos.
Source: Giancarlo Esposito in "Do the Right Thing," 1989 (Everett Collection)

At the end of Spike Lee’s 1989 seminal film, Do the Right Thing, the protagonist, Mookie (played by Lee), returns to Sal’s Pizzeria the morning after the police murder of Radio Raheem (Bill Nunn) sets off a riot in the area. Mookie approaches the burned-down pizza parlor, his former place of employment, where his ex-boss, Sal (Danny Aiello), sits. Mookie demands, “I want my money. I wanna get paid.” Sal scoffs at this request, explaining that Mookie’s salary could not begin to pay for the window he broke that instigated the looting and burning of the restaurant by the neighborhood’s residents. Mookie responds: “Motherfuck a window—Radio Raheem is dead.”

When was released, many white critics were with the depiction of than the state-sanctioned racist. Murder. . Murder!” While those critics saw wanton violence and unwarranted destruction, black film critics, scholars, and audiences saw a scene that represented the fury and sorrow that was part of their everyday life.

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