Film Comment

Stay in Motion

Maya Deren’s work—which she primarily wrote, shot, and edited herself—showcases an artist determined to puzzle out film’s relationship to modernity.

Maya Deren Collection

Eight films, USA, 1943-85; Kino Lorber & Re:Voir

N HER 1946 ESSAY “AN ANAGRAM OF IDEAS on Art, Form, and Film,” Maya Deren and ; her dance explorations in the perambulatory ; the ethnographic studies of Haitian voodoo rituals in her unfinished hourlong

You’re reading a preview, subscribe to read more.

More from Film Comment

Film Comment2 min read
Graphic Detail
FOR THE POLISH DESIGNER BRONISŁAW ZELEK, words were always as important as images. In his haunting 1967 poster for Henning Carlsen’s Hunger, the title squats in the cerebrum of a ravaged anatomical skull, the rounds of its letters looking like mispla
Film Comment6 min read
Observe and Report
In The Viewing Booth, we’re effectively watching footage over Maia Levy’s shoulder, filtering our own reactions through hers, or at least accommodating them both. And as she tries to situate the footage, determining who made it and what they’re tryin
Film Comment3 min read
A New Old Master
Alice Guy Blaché Vol. 1: The Gaumont Years (1897-1907), Vol. 2: The Solax Years (1911-1914), USA; Kino Lorber The Intrigue: The Films of Julia Crawford Ivers, USA, 1915-1916; Kino Lorber FEW DIGITAL COMPILATIONS HAVE HAD AS REVELATORY AN effect on Am

Related Books & Audiobooks