The final word
Arts criticism—what’s the point?
Jenna Simeonov asks…is there room for ‘biased’ observers in the classical media?
There’s a question that has lingered, passive and benign, around the topic of arts criticism. And for me in particular, in recent months it has grown into an insistent, tangible problem craving a real solution.
What is the function of criticism in the realms of opera and classical music? Or, more
