Opera Canada

L’hiver attend beaucoup de moi

When L’hiver attend beaucoup de moiopens at Espace Go theatre for Opera de Montreal on March 19th, it will be ticking off an impressive scorecard of firsts. Not only will the evening mark the world premiere of this brand new Canadian chamber opera; it will also be the first time an opera written by a woman has had its premiere with the company, and only the second time OdeM has presented an opera by a woman (Ana Sokolovic´’s Svadba was the first in 2018).

L’hiver attend beaucoup de moi is also the first foray into opera by its three creators: composer Laurence Jobidon, librettist Pascale St-Onge, and director Solene Pare. Finally, going back to the work’s genesis, it was among the five winners of the inaugural 2018 Mecenat Musica Prix 3 Femmes award, a $25,000 prize facilitated by Musique 3 Femmes—the non-profit founded by Jennifer Szeto, Kristin Hoff and Suzanne Rigden—to support and develop new operas by all-female creative teams.

Excerpts from those five winning projects were workshopped at the Opera’s Changing Worlds training summit in Montreal in September 2018. I was in the, a dark, suspenseful story about two women, both domestic abuse survivors, trying to make it to a women’s shelter in the middle of a raging northern Quebec blizzard.

You’re reading a preview, subscribe to read more.

More from Opera Canada

Opera Canada6 min read
A Conversation With elliot Madore
LB: Hello Elliot in Zurich! EM: It’s a really special place for me. My international career started when I was 24 and I was offered a position in the ensemble program in Zurich. And it’s where I met my wife, so I always love to come back. I’m current
Opera Canada1 min read
Opera Canada
Ruby Mercer Eva Innes, Chair Robert Morassutti, Vice Chair Stephanie Applin Davida Aronovitch Dorian Block Curtis Fichtner Jason Howard Wojtek Niebrzydowski Margaret Genovese James Warrillow Elizabeth Bowman elizabeth@operacanada.ca Caitlin Wood outr
Opera Canada2 min read
For Love Of The Opera
PRICE EXPERIENCED HIS FIRST OPERA at the age of six when an aunt took him to a classic production of Aïda at the Paris Opera. With a large smile, he recalls his childhood memory: “It was wonderful! During the triumphal march, the elephant did somethi

Related