Cinema Scope

Phantom Thread

SoCal being SoCal, it’s hard to leave it, especially if you were born there. The only good joke in has someone cracking wise about living in Newport Beach and the problem of going on vacation: Where do you go, since the best weather is here? People who don’t know the San Fernando Valley, birthplace (Studio City) and residence (Tarzana) of Paul Thomas Anderson, don’t appreciate how the subtext of (2014) is the liberating relief of being at the beach, from which the Valley is separated by the giant wall of the Santa Monica Mountains. Even though the novel was a case of Thomas Pynchon returning to the scene of the crime—Manhattan Beach, where he wrote —the movie was a case of Anderson getting out of

You’re reading a preview, subscribe to read more.

More from Cinema Scope

Cinema Scope6 min read
The Practice
The latest film by Martin Rejtman reaffirms his singular place in Argentine and world cinema as one of the rare non-mainstream auteurs working today, with brio and invention, in the realm of comedy. Beginning with Rapado (1992), each of Rejtman’s fic
Cinema Scope15 min read
Objects of Desire
“The problem is that it then goes off on tangents and the plot becomes secondary.”—A Mysterious World Until recently a somewhat forgotten figure of the New Argentine Cinema, director Rodrigo Moreno has, with The Delinquents, asserted himself as perha
Cinema Scope3 min read
Pale Shibboleth
“There is a metaphor recurrent in contemporary discourse on the nature of consciousness: that of cinema. And there are cinematic works which present themselves as analogues of consciousness in its constitutive and reflexive modes, as though inquiry i

Related Books & Audiobooks