Ceramics: Art and Perception

Repair and reuse: then and now

The attitudes that ancient peoples held about broken pottery, so different from perspectives in our consumerist age, are important to consider at a time when the effects of excessive energy consumption threaten the future of humanity. Today, the demand for perfection in ceramic products results in the disposal of millions of only slightly damaged wares annually. It is too easy and inexpensive to replace chipped cups or cracked plates with flawless new pieces. Large quantities of wares with minor firing imperfections never reach the market in the first place, but instead are culled at the factory, crushed, and buried in landfills. In contrast, ancient peoples in general not only tolerated irregularities such as firing clouds, warpage, and kiln debris, but they also frequently repaired broken vessels and returned them to service or altered them for reuse as other kinds of tools. The differences between ancient and modern practices are perhaps nowhere more profound than in North America, the birthplace of modern mass-consumerism and the commercial strategy of planned obsolescence.

Repair of pots in ancient North America, whether the damage consisted of hairline cracks or breakage of a

You’re reading a preview, subscribe to read more.

More from Ceramics: Art and Perception

Ceramics: Art and Perception7 min read
Brick by Brick: A Brief History of Clay Bricks from Kansas, USA
Let’s face it – bricks are boring. They are rectangular, made of clay, and simply used as literal ‘building’ blocks for utilitarian purposes. I thought this way for decades. I have used firebricks to build gas, sagger, wood, and raku kilns. Aside fro
Ceramics: Art and Perception1 min read
Ceramics: Art and Perception
Editor Bernadette Mansfield Directors Bernadette Mansfield Neil Mansfield Sub Editor Henrietta Farrelly-Barnett Editorial Adviser Josh Mansfield Layout Designer Luke Davies Administration Manager Jennifer Ireland Administration Assistants Charles Man
Ceramics: Art and Perception21 min read
Collage, Montage, and Perception: Unveiling Postcolonial Aesthetics of the Female Body in Printed Ceramics
Some of my earliest recollections include examining myself in a mirror and mentally separating my physical attributes. Growing up in India, my appearance was frequently commented on and either praised, or criticised, which is normal in our culture (C

Related Books & Audiobooks