“YOU’RE JUST A CONDUIT FOR THIS RHYTHM” GIVING IT AWAY
“That’s a whole lot of reading, man,” observes Michael Balzary, as nobody calls him, informed to his evident surprise that I read his new book in a couple of hours. The reason for this is that Acid For The Children, out as you read this interview, is an easy read. Dealing with the Australian-born, California-raised bassist’s life from birth until 1983 or thereabouts, his autobiography is split into short chunks, some only a couple of paragraphs in length, so it’s simple and fun to digest.
The much bigger point, though, is that in Acid For The Children Flea, as everybody calls him, speaks to and connects directly with the reader. This is no easy feat, but he pulls it off, drawing you into his early life—an intoxicating but unnerving blend of unreliable parents, and the beauty of nature—and beyond. From Oz to America, Flea veers through events big and small, recounting each with equal intensity, and surreal humor, warmed by jazz, inspired by basketball, and transformed by the loves of his life, punk rock, and the bass guitar.
It’s a hell of a read, we tell him.
“Thanks, man,” says Flea. “It kinda started off as a big wild rant. An editor advised me that ranting is a good style, but that a simpler rhythm can communicate things just as profoundly ,and make them easier to read, to help you connect with people. That was good advice.”
The book ends just as the early lineups of the Red Hot Chili Peppers, with members drawn from various early bands, get their act together. Was it always his plan to split his life story into two, or did he just start writing and
