Art New Zealand

Summers (1947–2019)

I first came across Llew Summers in the mid-1980s when he exhibited at Auckland’s Aberhart North Gallery. The works, carved in marble and wood (alongside several cast in bronze), were small in size and reflected characters in various modes of sporting activities (scoring a try, holding a cricket bat, running). With their radical foreshortening, noting how odd it was that, in a nation as sport obsessed as ours, few artists tackled such in their work. I visited Llew at his Christchurch home that summer and a friendship sprang up. It lasted until his death at the age of 72 at the beginning of August.

You’re reading a preview, subscribe to read more.

More from Art New Zealand

Art New Zealand10 min read
Reckoning with History Richard Lewer Paints the Waikato Wars
Richard Lewer has described his work as a form of 'contemporary social realism' experimenting with the idea of the artist as something of a social and historical commentator. Lewer the artist is a type of social anthropologist—with all the complex co
Art New Zealand5 min read
Revealing Correspondence
Dear Colin, Dear Ron: The Selected Letters of Colin McCahon and Ron O’Reilly by Peter Simpson Te Papa Press, Wellington 2024 MICHAEL DUNN Nobody has written more extensively on Colin McCahon in recent years than Peter Simpson. His landmark two-volume
Art New Zealand7 min read
Walking Into Another World Christine's Jewellery Box by Bridgit Anderson
Sometimes some truths are too severe to live on the page, or in a song, or in a heart. Hence, metaphor can create a merciful sense of distance from the cruel idea, or the unspeakable truth, and allow it to exist within us as a kind of poetic radiance

Related