TUNE-YARDS
Apr 03, 2018
2 minutes
Words by Matt Fink
When Merrill Garbus began work on Tune-Yards’ I Can Feel You Creep Into My Personal Life in January 2016, she had a difficult decision to make. How should an artist—especially one who tries to use her life and work to contribute to dialogs surrounding difficult topics in her native Oakland, California—react to the era of Black Lives Matter
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