UNCUT

Not Fade Away

DORIS DAY

American star of the ’50s and ’60s (1922-2019)

DORIS Kappelhoff never held any ambitions of being a singer, much less a movie star. She’d begun as a dancer in her native Cincinnati, but leg injuries sustained in a car accident put paid to that. Listening to the radio during her recuperation, she became entranced by Ella Fitzgerald, after which she took singing lessons and discovered a natural talent.

Changing her name to Doris Day, she scored two US chart-toppers with bandleader Les Brown in 1945: “Sentimental Journey” and “My Dreams Are Getting Better All The Time”. They heralded the beginning of a hugely successful solo career that stretched into the mid-’60s, with Andy Williams declaring her voice “so fresh you could smell it”.

Day’s musical endeavours frequently crossed over into her film work. Both “Secret Love” (from Calamity Jane, 1953) and “Que Sera, Sera” (The Man Who Knew Too Much, 1956) won Academy Awards. Her emergence as a major Hollywood actress had also come about through circumstance, after Judy Garland

You’re reading a preview, subscribe to read more.

More from UNCUT

UNCUT2 min read
Limited Time Offer
UNCUT is a place where readers the world over can share our passion for the finest sounds of the past 60 years – old and new, beloved and obscure. Each issue is packed full of revelatory encounters with our greatest heroes, trailblazers and newcomers
UNCUT7 min read
Irmin Schmidt
FOR a few years now, Irmin Schmidt has been the conscientious curator of the Can legacy – a role that has taken on added poignancy since the recent passing of Damo Suzuki, leaving keyboardist Schmidt as the last surviving member of the classic early-
UNCUT2 min read
Let’s Get Lost
After a ramshackle 1988 debut, the Trux unpack their first great visionary work, a double album sprawl of densely layered noise-rock, driven by fractured rhythms, feral guitar riffs and vocals that nudge the pain barrier. 9/10 A first real dalliance

Related Books & Audiobooks