UNCUT

FEEDBACK

GREEN WITH GRATITUDE

hank you for the respectful and sensitive article about the truly great Peter Green in your March 2020 edition. In November 2002, I was lucky enough to witness his Splinter Group playing a supporting role to Mayall at Wolves Civic Hall. The beginnings weren’t promising. An apparently pretty average blues band took to the stage and struck up a rolling blues with the “lead” guitarist – I think an American guy – widdling wildly 10 to the dozen. After an eternity of this, a little old guy shuffled on wearing a battered hat and a mint-green Strat, plugged in and, at the appropriate moment, touched the strings. Ice-cold water ran down my spine and tears came to my eyes. I’d been listening to him caressing similar guitars since my big sister had bought “Oh Well” and “Man Of The World”,

You’re reading a preview, subscribe to read more.

More from UNCUT

UNCUT2 min read
Editor's Note
“Snake it, take it/Panther princess you must stay” ONE of my favourite moments of the new David Bowie boxset, covering the birth of Ziggy Stardust, is the demo of “Soul Love” recorded at Haddon Hall in November 1971. This has evidently been made for
UNCUT14 min read
Where it’s At
you’re having a picnic lunch, that’s when shit gets real,” says Dan Auerbach with a laugh. The Black Keys singer and guitarist is recounting the lengthy sessions for the band’s 12th album, Ohio Players, which the duo partly recorded with Beck, acting
UNCUT1 min read
The Road To All Born Screaming
Though she was covering Big Black’s “Kerosene” in her live set, there was as yet little of that energy in Annie Clark’s recordings. But her songs were growing darker and more direct – notably on “Cruel”, the video. On her breakthrough album, Annie go

Related Books & Audiobooks