Huck

Nadira Amrani

Rep Your Culture

I have always been fascinated by faces. As someone who tells stories through film and photography for a living, I often wonder how much of our expressions is linked to our past, our character, the way society views us and the way we want to be viewed.

Years ago, I found myself drawn to the work of Marc Garanger’s project : a photography series of Berber women during the Algerian War in the 1960s. The portraits seemed so magical when the series. I remember my dad telling me that some of these women believed that when you took their photograph, you stole part of their soul. Looking back, it was an early lesson in understanding just how important identity is in portraiture.

You’re reading a preview, subscribe to read more.

More from Huck

Huck3 min read
Three Cities
WHEN IRISH PHOTOGRAPHER AND DIRECTOR, Niall O’Brien and his girlfriend Nikki moved to Silicon Valley for a three-month work secondment, they found themselves in a nondescript area called Campbell. They were living in a big, soulless, empty apartment
Huck2 min read
Editor Note
This is the Power of Words issue. It has never been more important to have strong, independent voices speaking truth to power and fighting for justice. Whether it’s challenging authoritarian regimes, exposing war crimes, combatting powerful AI, writi
Huck7 min read
The Freaks Came Out To Write
Tricia Romano’s The Freaks Came Out To Write tells the story of New York’s iconic Village Voice, using over 200 interviews with the people who were there. The paper was the first publication to cover hip-hop, the avant-garde art scene, and the AIDS c

Related Books & Audiobooks