Guitar Techniques

In The Woodshed

The interval we’ll be exploring this month has at least two names; the b 5 or the #11. You could also call it the #4 or the tritone. Whatever you call it, the point is it can be an extremely evocative and powerful interval and can have radically different effects depending on the harmonic context. For example the tritone intro to Purple Haze is a little scary and dangerous sounding, but the intro to the Simpsons is playful and quirky. In common harmonic settings like pop or rock songs, playing the a b 5 for an extended time

You’re reading a preview, subscribe to read more.

More from Guitar Techniques

Guitar Techniques4 min read
FRANCISCO TÁRREGA Lágrima
Ask a classical guitarist to name a famous composer from the guitar’s relatively short history and one of the first names you will hear is that of Francisco Tárrega, the great Romantic era Spanish virtuoso and composer. Tárrega was born in the Castel
Guitar Techniques2 min read
SUBSTITUTE Jazz Voicings
EVEN THE MOST ‘ROCK AND ROLL’AMONG US have probably marvelled on occasion when hearing the harmonic possibilities coaxed out of a guitar by the likes of Joe Pass, Barney Kessel, Wes Montgomery and Tal Farlow. While this feature doesn’t claim to be th
Guitar Techniques3 min read
David Gilmour
Feel, touch, soul, and phrasing. These are words you will often hear when the topic of blues guitarists arises, and while you may not associate this month’s artist strictly with the blues, he certainly embodies the aforementioned characteristics. Thi

Related