Tune in Next Time
PERHAPS IT’S MISCHIEVOUS TO SPOTLIGHT a 13.5-hour film for consideration as a theatrical release, but if it helps, you can think of as a six-film cycle rather than a single piece, though that still doesn’t quite cover its interconnections. Screened at the Locarno Festival in August over multiple installments, Mariano Llinás’s serial work shifts gears from one genre to the next—mummy horror to
