Film Comment

Streetwise Saint

Sidney Lumet: A Life

By Maura Spiegel, St. Martin’s Press, $29.99

Unlike other five-borough portraitists (Scorsese, Allen, Spike Lee), Sidney Lumet refused to mythologize his city, to underline its mysteries or romance for effect: his New Yorkers are cold, weary, and life-sized.

KNOWN IN HIS TIME AS “AN ACTOR’S DIRECTOR”—AND responsible for career-best, he bore this stigma in “the 1980s and 1990s, when the L word was reviled by both the left and the right.” Lumet’s a quintessential New York director, whose works include and , but he was so prolific, so protean—in the two years between those classics, he adapted Larry McMurtry () and Agatha Christie ( )—that he can’t be tethered to any one milieu. Condemned, it would seem, for doing it all and doing it , Lumet is only now receiving his first major biography.

You’re reading a preview, subscribe to read more.

More from Film Comment

Film Comment6 min read
Mother Tongue
Sridevi speaks with a tremulous lilt, her tone carefully conveying a sense of displacement. Often, though, she needn’t speak at all. Her eyes, which one character poetically describes as “two drops of coffee on a cloud of milk,” make their own declar
Film Comment10 min read
Can Dialectics Break Bricks?
WHAT IF WE LEFT THEIR CONTENTS ASIDE and examined their physical qualities (paper, ink, weight, etc.)?” Camilo Restrepo says in his 2015 documentary short, Impression of a War, as the camera zooms into the warped, oversaturated pages of discarded Col
Film Comment6 min read
Declaration of Independence
An Unmarried Woman Paul Mazursky, USA, 1978; The Criterion Collection THERE’S A MOMENT EARLY IN PAUL MAZURSKY’S An Unmarried Women when Erica (Jill Clayburgh) and her gal pals are tippling and pondering 8 x 10 glossies of Bette Davis and Katharine He

Related